Lucky Sibiya

Born in 1942 in Vryheid in Natal. He was the son of a medicine man and since childhood has been introduced to the mysteries of Africa. This has influenced his art and many of the forms and the symbols used derive from this experience. When he was eleven years old his family moved the Sophiatown and later Soweto. He attended the St. Peter's Seminary where he studied for seven years. As a youngster he was introduced to the artist, Cecil Skotnes who took him on as a private pupil. For many years Lucy lived at Hammanskraal outside Pretoria, from where he worked in his modern studio. In 1974 he visited Europe and the USA. He became known as an engraver. Skotnes introduced Lucy to the wood panel and later the colored woodcut. Ndebele designs and usage of color is very prominent in his work.

Sibiya has done panels, serigraphs, color woodcuts and free standing sculptures in wood, bone and metal. Central to nearly all his compositions is the human figure. Recurring figures included African warriors, African matron and certain animals, birds, fish and cattle. His woodcuts are timeless, reminiscent of the ancient traditional art of Africa, but also at the same time thoroughly modern.

His panels were cut in shallow relief and embellished with paint, and presented as a finished object in themselves. In certain areas of the panels he applied the different colors in layers so that the under-color shines through, picking up light when correctly displayed.

Exhibitions :

He held his first one-man exhibitions at Gallery 101 in Johannesburg in 1971.

He had various solo-exhibitions in South Africa but also exhibited in Swaziland and the United Kingdom

1979 Contemporary African Art in South Africa Exhibition

1981 Standard Bank, Soweto, Black Art Today Exhibition

1988 Neglected Tradition Exhibition in Johannesburg

His work is represented in various private and national collections in:

South Africa, Australia, United Kingdom and the USA.

Durban Art Gallery

Johannesburg Art Gallery

Pretoria Art Museum

South African National Museum, Cape Town

University of Fort Hare

Sandton Art Collection, Johannesburg

University of South Africa

University of the Witwatersrand

William Humphreys Art Gallery, Kimberley

What made Lucy such a good artist is his usage and combination of line, shape, texture and color. His compositions achieved unity and coherence and they are always well integrated. Lucy will not only be deeply missed by all his friends and family but also by those who never met him but who are "lucky" to have his work in their collections.